Friday, April 24, 2026
If you have been following the arrows I left, you will have found me right here, right where you are used to me being. This is not to say that I have somehow realized that photographing road markings is just too odd and that I’ll never do it again. Quite the contrary, I have had some time to live with the idea and the photos from that outing and have decided that there is a future to photographing the road markings. The trick will be finding the right markings in the right conditions, but I am starting to look for them so that I can photograph more and different markings. Of course, I will always have time to photograph my rural and rusty scenes that I love so much. As you know, those scenes tend to work best under some sort of cloudy sky which we have had very few of here lately. There are some rainy days forecasted in the coming week or so, but I haven’t been holding out too much hope for good clouds.
This morning, I was planning on washing the truck which I still haven’t managed to do, but when I started to look at the weather, I was seeing that the sunny skies were going to transition to clouds through the middle of the afternoon. Would it be the right kinds of clouds? I wasn’t sure, but the forecast app that I was using was calling for low and mid-level clouds which are generally what I look for when it comes to my rural photography. They have the most texture and usually give the better quality light. The higher altitude clouds are great for color at sunrise and sunset, but during the day just give an overcast look and flat lighting. With good lighting looming on the horizon, I was all set to hold off on my day’s activities in order to wait and see what the weather provided later on.
It was shortly after lunchtime that I decided that the clouds were starting to look pretty good off to the West which was the opposite direction that I was expecting based on a comparative hourly forecast. Beggers can’t be choosers, so I decided to go out and go West instead of my original direction. I didn’t have a destination or subject in mind; I was just going to go where the clouds were and hope for the best. It might sound like I was leaving it all up to chance, and there was a level of that, but I knew the areas to be in which would have some interesting subject matter to look at.
The minute I cleared the driveway I could see that in every direction but to the Southwest was clear and blue sky. The clouds were looking really good as they were coming into view though, and I was excited for the light that they would be bringing. I decided to make a run out to Watauga County which would open up the possibilities for landscapes as well as some rural scenes. I know the areas to go when the light is good, and that is the benefit to being very familiar with the local area rather than always looking for destinations for photography.
By the time I got to the highway, I had a choice to make. I knew what was to the West for the most part and that had some good clouds overhead. There were also some very dense clouds to the South of the highway that interested me even more. It had been a long time since I had gone exploring on that side of the highway and the thrill of the hunt started to really excite me. I decided to cross the highway and see what I could find on the South side of Wilkesboro, going into Ferguson.
Almost as soon as I crossed the highway, I started seeing some odd looking dots on my windshield. Could it be? Could it actually be raining? I had read about this in books and seen YouTube videos on what rain looked like and I am pretty sure that was exactly what I was seeing. I pulled out the owner’s manual to the truck and found the device that was responsible for clearing the windshield in such events. I believe they were called windshield wipers. They are actually pretty cool once they break through the cobwebs. All of those mysterious drops were swiped away leaving a clear view through the windshield that was no longer covered with dust and pollen.
I didn’t let the rain deter me from finding some subjects to photograph and decided that I would just embrace the rain and the different atmosphere that it would bring to the scenes. The trick was finding something to photograph. I was up and down roads that I had not been on in several years trying to find something that would work. The closest that I could get was an old garage with a collapsed doorway framing a 55 gallon drum which was on its side. The colors looked good with the doors being yellow and the drum being blue. However, the subject as a whole just didn’t quite excite me like I would have preferred. That didn’t stop me from looking at it three different times. I think that had it not been behind a very ugly fence, I would have shot it using a tree as a complimentary element that was off to the side. The fence just didn’t make sense and wasn’t dominant enough to be anything more than a distraction. I ultimately let the scene go in favor of finding something else which would serve me better for a photograph.
Now that the roads were pretty much soaked and there were puddles in places, I thought about looking for road markings as I have an idea that will work with the roadway being shiny from the standing water. The best place for me to find those road markings was the church that I had started out looking just a couple of days ago. There were less cars and activity around, but I didn’t like how any of it was looking in the current conditions. There was no yellow which I was wanting to find, so I abandoned that idea as well. I ended up going down the road which I knew would take me out to Hwy 268, but if I had gone that far out, I would have run into clear skies, so I was looking for a diversion before I got there. I ended up taking a side road that I had been on several times before that ended me up at another crossroad to the main highway. I was relying on my map displayed on the dash to know where I was in relation to my landmarks and that was when Toni called. She was finishing up with a doctor’s appointment in Winston, so I answered and we talked for a while. This got me into a situation where I was making some blind turns and while I wasn’t actually lost, I was losing track of where I was at.
While talking to her I spotted a pair of barns off on the side of the road that I remembered stopping to shoot some years before. I wasn’t able to get a good angle due to the light at the time and what I was able to shoot would have included both barns which were pretty much on top of each other. With the flatter lighting and great sky overhead, I had my pick of angles to work with, and I was pretty sure that I would be able to mask the further barn with the nearer one if I got low enough. By getting that kind of low, I would be shooting through some tall grasses that had yellowed. This could make for a really good foreground, and I really thought that I had finally found my first shot of the day.
I pulled off the road on what was a mowed section of the shoulder. There were houses all around and I didn’t want to draw too much attention and get run off before I had a chance to get a few shots in, so I finished up talking to Toni really quick and got out to get the camera. Of course, that was when the rain started to come down even harder. It was almost to the point that I was wanting to use the umbrella to keep the front element dry, but that was just too cumbersome for what I wanted to accomplish. Since I was going to be using the wide-angle lens, I knew that element would retract into the barrel and as long as I wasn’t shooting with the camera aimed up, I would be fine with keeping the element dry. I would just have to skip the polarizer this time which didn’t really bother me because I wasn’t seeing much glare at all in the scene and the rain was saturating the colors just fine on its own.
After finding the right composition, I started to make some exposures, and I checked to see if everything was as I wanted it to be. There was a little bit of motion in the tall grasses which I didn’t like. That was an easy fix with boosting the ISO a bit and that would give me a faster shutter speed. That did the trick, but the photo was missing something at this point. I looked around to see what I needed to add back in to make it a stronger composition. There wasn’t really anything else around that I could successfully add in, but the motion that I had taken out was something that I missed. Just to see how that would work, I lowered the ISO down to 50 and stopped the lens down a hair more to give a nice slow shutter speed that would show off the motion of the grasses without blurring the trees in the background. The first shot was overexposed, so I knocked down the exposure slightly and grabbed another shot. That worked well and showed the motion that I was wanting. I made one more exposure, so I had an option with how the motion was displayed and decided that was all I needed to shoot with this barn.
I hadn’t been here but a few minutes and had gotten the first image in the bag. I was glad that I decided to focus on the motion in the scene because that was the one that I felt was the best image out of the bunch and that became the only keeper from the location. Since all of the compositions were very closely related, I didn’t want to have any others that might dilute the impact of the one that I really liked. It just turned out perfect in my mind and there was no sense in trying to find a second place shot of this scene. I wanted to save that creative energy for another subject, and hopefully one that wasn’t being captured in the rain.
That next subject took a while to find, and I was about to give up looking for it as the clouds were starting to part and the sun was coming out again. I had no problems coming back with a single image from a trek and actually enjoy the attention that I can give that single photo, but I still had some creative energy to expend, and I knew that later on I would have to change gears and focus on a studio session that was scheduled for the end of next week. This might be the last time I have a chance to go out for photos, and I did want to give it my best.
I continued on through the different areas in search of old barns, old cars, or anything that caught my eye. The light was still good for the time being, but I figured that it wasn’t going to last for much longer. Through my series of turns, I did end up back on the North side of the highway and figured that since Toni had some prescriptions ready, I would make my way to her drug dealer (the pharmacy that is) and pick those up. That route took me on a road that I have used as a cut through from home to US 421 for several years now. I’ve driven it in both directions while looking for photos and just driving, so when I saw the old garage off on the side of the road it took me by surprise.
This garage was a large one that was in a condition that I certainly enjoyed seeing and photographing. The clouds were still thick enough here so that the lighting was even enough to allow me to shoot from several different angles. I pulled down the driveway to see if I could make out which property would more than likely house the owner and to get a better look at what I would be working with. The garage had a sign on it that said Minton’s Garage and I recognized the name as I have run into several Minton’s during my time in Wilkes County. The more I looked at this garage the more it really surprised me that I had never paid any attention to it before. It was very interesting to look at, and I could see so much potential with it even though I wasn’t seeing specific compositions to start with.
It was well worth the ask, so I looked at the closest house which was just off the street. I backed out of the driveway and got back into the street so I could go to the next driveway. I went to knock on the door and heard nothing on the inside at first. This is usually the case when it comes to finding new locations to shoot in good light. I lingered for a moment to see if anything would change and then I started to hear a dog barking on the inside. This was a good sign, and that would more than likely announce my presence even if the knock hadn’t done it. A few seconds later the door opened and I was able to introduce myself.
To make a long story short, the lady advised that the garage wasn’t her property, but it belonged to another lady that lived in a house back behind the garage down the long gravel driveway. She gave me her name, and I was off to see if she was home. I drove past the garage and kept going this time knowing that the house was further up the hill. When I got there, I walked up to the front door and found it open with a storm door closed allowing the cats to enjoy the fresh air. I knocked and waited at the door knowing that someone would be home.
Within a few seconds the lady of the house came out to meet me. I explained my reasoning for being there and she gave her permission, but I could sense a reluctance in that agreement. We continued talking and I gave her a card to explain my policy of doing a free print for property owners as well as showing her my website address. This garnered an interesting response and she said, “so you are legit?” Now I understood her reluctance in giving permission and went into a bit more detail about why I do what I do. This obviously had an impact on her, and she was much more understanding and actually thankful for the fact that someone else had seen the beauty in the old shop.
This opened up a whole new part of the story behind the shop. It was run by her husband Tom and for a long time with their son Joe. They worked on about everything under the sun and could fix things quickly. She got emotional talking about it and that gave me a deeper insight into the place and what it meant for her and the community. I was really excited about photographing the building now which is what happens when I start to get the back stories behind the subject. She also talked about an old truck that was hidden in the woods on the edge of the property. She pointed out in the direction and eventually I was able to spot the chrome of a headlight bezel in the vines.
Now that she was more comfortable with me, she said that I was welcome to photograph the truck as well and if I needed to cut any of the vines away that I could do that. She also added that the truck had recently been sold and would be moved from the property soon. It is always a treat when I time my finds like this. I would much rather get something right before it leaves than to miss out on it entirely because I waited too long. She was also fine with me working an old blue car that was sitting nearby as well. It wasn’t a great subject, but the blue really did stand out in the sea of green and there was an ambulance not too far from it that added to the potential story. Those would all be saved for after I worked the garage since I was more excited about that and knew that it was going to take some time to figure out compositions with.
Any time I am looking at something that I feel will be difficult to compose photos around, I always start with the low hanging fruit, or the easiest composition that I can find. In this case, it was the front of the building, or more accurately the corner of the building that had the business sign showing proudly. Having heard the history of the place, I really wanted to capture the sign as part of the story that I wanted to tell. From this angle, there wasn’t a lot of detail to be seen and photographed, so I decided to make the composition more interesting through the use of a wide-angle lens. Having become much more proficient with the wider focal lengths this year, I dove right in on the perspective distortion that the lens would create. I knew that this would work great for the corner of the building, and I also knew that I wanted to elevate the camera so that the distortion was shared between the bottom and top edges of the building.
It took a bit longer to get this all dialed in than I expected. I was either too close, or too far away. I needed to cheat the level of the camera because the primary edge that I was worried about being vertical was that dominant edge nearest the camera that had the apex of the top and bottom edges. That was the one area that I wanted to be straight, and I knew that the far edges would become converging verticals due to the focal length. The more I worked on dialing the composition in, the more I was really liking the design of it all. The sun even started to come out and that gave some really nice light on the building that worked to make it even more dominant in the scene.
Everything about this composition was starting to come together and there were enough clouds in the sky that I was able to successfully use the polarizing filter without getting those bands of darkness in the blue sky. Well, they were there, but not noticeable because of how the clouds broke them up. The dominance of the corner also kept the rest of the scene very simple because of how I had framed it all. Essentially, there was a single element and that was the building. That element dominated the entire scene with the driveway framing the right side of it.
Once I had that opening frame captured, I started to go around the building to find the next composition. I was still set on using the wide-angle lens because I felt that it would help add some visual interest to this and keep me from worrying too much about the angles being perfect. The perspective distortion would work for me in that regard by making it a part of the photo rather than finding compositions and angles where the perspective didn’t intrude. That also makes for more boring compositions anyway. I’ve learned to really love the distortion that the wide-angle lens provides.
The next area that I started to concentrate on was the entrance to what I assume would be the office. It was in a small alcove and was covered with an awning. There was a bay door next to the pedestrian door and an American Flag hanging on the door. As I was looking, I also saw where Tom had written his name on the frame of the bay door. Normally, this wouldn’t have really caught my attention, but knowing the back story of the garage, that name was forever linked with the shop. I felt that it deserved a place in the photo as well, so that became an element that I wanted to capture along with the pedestrian door there in the corner.
What struck me about this part of the building was the different levels that were visible. There was a ramp that led up to the bay door and there was an extra angle from the top of the building as well. I liked all of this, but it was too simplistic just to look at it, and I felt that it needed just a bit more depth to the scene. That was where the other wall of the building came into play. By including that next wall and the window, I had yet another angle to the composition and that seemed to complete it all. I liked everything about the composition, and it felt totally natural without needing anything else. I even had the added element of the sign that advertised this being an inspection station, though that sign had seen better days.
There was a lot going on with this image and wile I didn’t dial it down to the bare minimum like I would normally do, more was actually more in this case. I liked all the extra angles and surfaces that this composition brought to bear. It was visually interesting with lots of different elements to keep the eyes busy. By concentrating on one element at a time, I would have lost that dialog with the audience, and the photo would have been boring without knowing the back story. Now, the viewer was looking at a story unto itself and one that would keep them entertained for longer than a single element composition of this scene.
Now was the time that I wanted to photograph the part that was in the hardest light to deal with. That was the main side of the shop where all the garages were. There was so much to look at on this side that I had a hard time deciding on a composition. The one that won out was an overall capture of the entire building. I kept the wide-angle lens on, not so that I could just get the entire building into the frame, but because the less important aspects of the building would be smaller due to the distortion from the lens. You see, I am learning how to properly make use of this lens after only a few months of really working with it outside of landscape subjects.
In addition to the width of the building, I was also looking at a light pole that was planted right at the corner of the building. I didn’t really care for this element, but it was there and would be much too difficult to remove in post. I chose to incorporate it into the composition and since I was capturing the full width of the building, I had plenty of room to go higher into the scene as well which I did. This allowed me to capture the full pole with the light at the top of it as well as the antenna that was mounted on the roof. It all helped bring the eyes into the sky which was filled with really nice clouds. Those clouds were helping with the light over the scene as well. It wasn’t blocking the light as there were still shadows, but those shadows were much softer than they had been a short time before.
When I was happy with what I had finally put together on that side of the building, I turned my attention back to the sign on the corner of the building. I decided to change lenses to my telephoto lens so that I could get a very direct composition of the sign. This seemed to work quite well when I was looking through the camera as well as when I saw it on the LCD display. It wasn’t until I started to really look at it through the large screen on the computer that I found that it wasn’t quite up to what I thought it should be. It was just a little too plain and felt like an afterthought rather than a considered composition. It made it through two rounds of culling but was never processed.
Hang on….you know what is about to happen here. As I was typing this out, I got to thinking about that photo and the reasons that I dismissed it. I’m not saying that I was wrong in dismissing it, but I’m now thinking that it was a good idea to go back to that composition and give it another look. Sure enough, I didn’t much care for the one that made it through two rounds of culling, but there were three of the photos with the same concept with just slight changes to the angles involved. It was the middle of the three frames that was now catching my eye. It had received no stars to start with, but now that I was looking at it, I saw something that I had missed before. It wasn’t a bad photo at all, and while it might have been a little bland, it was worth putting through the processing steps to see what I could do with it since I did have an idea about how I wanted it all to look when it was done before I started shooting it.
After only a few minutes, I had an image that I felt was good enough to join in with these other keepers, so I went through the extra time in backing up the file in multiple locations and getting it uploaded to the website for inclusion into the blog. That process took as long as the edit had taken which is to say that it didn’t take all that long at all. I’ve slid the photo into the blog in the correct order that it was shot rather than slapping it in here where it would have been out of sequence. That is just my own little organizational hangup, so don’t worry about it too much.
That was officially the last of the photos that I shot from the garage during this phase of the day. I wanted to get up to the yard of the house and work with the old truck and whatever kind of blue car that was sitting out in the open. With the sun out, I decided to go with the blue car first. Since I had the long lens on the camera from shooting the sign, I kept that on and worked out a basic composition of the car. The problem was the composition was just too basic, and it lacked anything beyond being a postcard shot of the car. None of those made it through the culling process, and no, I won’t be adding them in here later on.
With the low hanging fruit out of the way, I moved my attention to the pickup that was in the woods. It was so covered that I wasn’t able to tell exactly what it was until I got in very close. I could see a badge on the grill that had “Rated” on the right half of the badge. That told me that it was a Dodge pickup which is a little unique for what I get to see on a regular. It was very much covered up by vines and there was an old Nissan sitting behind it which made it very difficult to get an overall shot of the truck. As it turned out, there wasn’t really enough of the bed visible to support a composition, so I was fine focusing my attention on the cab.
That was where I turned my attention and kept the long lens on and got into a position where I could capture the front of the truck against the woods with vines wrapped all around it. This worked out fine, but it was a little bland. I needed some perspective distortion to really make the truck more visible. The issue was that using the wide-angle lens here would most certainly bring the Nissan into the frame and that was something that I didn’t want to happen. This was going to be a job for the standard zoom which still has its place in my bag. It is no longer my walking around lens as it once was, but now it is a lens that I use for cropping in specific circumstances when I can’t get close enough or far enough away to use one of the other lenses. In this situation, I needed to make the front of the truck more prominent by the use of a wider than telephoto focal length, but I didn’t need the extra background of the wide-angle lens. Make sense? If not, don’t worry about it, just know that I chose the right tool for the job here and got the composition captured the way that I wanted it.
Once I got the full cab captured, I moved on to the front of cab to concentrate more on the headlight that was visible and what grill I could see. This felt like a vertical composition and while it was closely related to a pretty normal composition that I have shot for years, it was done with the camera much lower for a different angle that worked better with the vines. The vines created a framework for the composition which I found to be very nice, and the entire scene worked well.
From there, I moved to the middle of the cab and focused my attention on the door and window. This felt good in the camera but didn’t hold its own when I started looking at it through the large monitor. I also shot a few compositions from behind the cab looking forward. These also felt really good in the camera but lacked flow when seen on the larger screen. There were a couple of other variations on the front of the cab which also didn’t work out as well as the first attempt, so none of those are seen here. I was mainly just experimenting with different angles and views to try and visually cut through the vines. The owner’s words resonated with me while I was doing that. She would have been fine with me cutting away the vines, but that would have disturbed the scene and changed things drastically. I much preferred the look of the vines even though it made the compositions more difficult. This is where I learn and grow as a photographer, so I embrace the challenge rather than lamenting it.
Eventually, there came a time when I felt that I was done with the truck and it was time to move on to something else. The sun was a little less bright at this point and while I had been lucky with a thick canopy over the truck, the blue car hadn’t had that benefit. With the sunlight slightly diffused by the clouds, I went back to the car once again. this time, I was looking at things through the standard zoom, and while I was happy to have a little more width to the scene, I didn’t think that the wide-angle would be beneficial to the scene. I didn’t want to emphasize the front of the car through perspective because there wasn’t anything particularly interesting about the front of the car with everything missing. It was the side of the car that was most interesting along with the color. I just needed to find something to add to the photo.
By using the power of “And” I decided that the ambulance box that was in the woods would work in the composition. The two elements were not really related, but the colors were complimentary and that provided some visual interest as well as a reason for the ambulance to be in the photo. It was in the shadows of the woods though which was going to make things difficult for me since the blue car was in the full sunlight. I had to be very careful not to overexpose the car while trying to get the ambulance to expose well enough to show up in the frame. I knew that I would be doing some work with the light in post processing, but I shot it with that in mind.
The composition was simple enough with having both elements at different levels within the frame to keep it from being static. The biggest trick was getting the relative scale of the two elements to be visually pleasing. I found that at 24mm, the ambulance was just too small. At 70mm, they were too similar in size and there was no depth to the composition. I liked the relationship that I was seeing with my naked eye, so I found the right distance from the subjects and looked through the lens at 50mm which was really darn close to right. I ended up opening it up to 47mm just to crop the frame the way that I wanted and I was happy with the visual relationship between the elements at this point.
The last part of the equation was the framing, or the aspect ratio of the photograph. The native 3:2 was just too tall for how wide I was having to shoot it. There was too much in the frame that I felt was not needed. By changing the aspect ratio to 16:9, I was able to get a much more pleasing frame for the photo and one that brought more attention to the ambulance in the rear. This was what I ended up using as the keeper. It took a bit of work in post to even out the colors and lighting through the scene, but it finally got to a place where I am happy with it.
That brought me to the point where I moved in to work on a composition of the ambulance because you just don’t see them in the woods like this all that often. I found the right composition and worked out the exposure until it all made sense. It wasn’t a great photo, but it was one that worked well enough I thought. It wasn’t until I got home and looked at it on the computer that I realized that it was suffering from the same issues as the photo of just the car. Both of these subjects were just too bland on their own. There was just no story behind them, and not enough interest in the composition. It was only when I put the two of them together that there was an interesting enough story to make the photo work. Out of three concepts, it was that composition that joined the two which turned into the one that actually worked out.
After finishing up with the ambulance, I felt that I had done enough with the vehicles up in the yard. It was time to walk back down to the truck and think about heading on my way. I still had to get to the pharmacy after all. Just in case, I left the camera all put together with the standard zoom still attached. I wanted to make one more walk around the garage before I left just to make sure that I hadn’t left anything worth shooting.
It was a stack of tires along the back side that caught my eye when I was coming around the corner. I had tried to shoot them earlier with the wide lens, but it just didn’t work out. The light was different now, and I wanted to give it another try. Keeping the same lens on the camera, I found the angle that worked the best and fine-tuned the composition. When that was done and the exposure dialed in, I fired of a few shots with different depths of field. I liked how the theme of circles continued through the length of the scene with wheels being on either end of the composition. Since it was a shape that was the main element in this photograph, I didn’t think that color was really needed. Once I made this a black and white image and started to work with the tonal contrasts, I found a photo that turned out better than I had expected. There was a certain elegance to it that hadn’t been seen in the camera. While my initial concept worked and I could see how it played out, there was another geometrical aspect to the flow of the image that was just beautiful. This is one of those images that is less about a subject and more about an overall impact. The part that I was falling in love with would have been completely lost in color, but in black and white, it almost took over the whole photograph. It is one of those photos that exceeded my expectations and that doesn’t happen all that often.
I didn’t spend all that long with the last composition because I just didn’t have much faith in it. I guess I’m very thankful that I did put the time into it that I did and really can’t see anything I could have done better for it. I did move around to the garage side of the building where my truck was parked. I started to look at the garage doors and really wanted to figure out how to photograph those. They just had such a beautifully weathered look to them, but I didn’t want just a straight on photo of a garage door. That would be boring, no matter how nice the wood looked. I needed something with more personality, so I started to look at the angles. The light on the building was very good at this point with some dappled light providing some wonderful interest. I still liked the little corner with the office door next to the bay door. That light pole still was in my way, but I figured I would just have to deal with it.
While I had already shot a composition from this side of the building before, I wanted to do it a little different this time. I didn’t need to get the entire building and no longer wanted to get that much of the sky. I was even fine with cutting part of the light pole because my main focus this time was the bay doors and the shape of the building itself. I had the perfect lens for that as I didn’t need a super-wide view of the scene to make this concept work. I just had to get the angles right and be very careful of what was included in the composition. Depth was very important to me, so I needed to get that little corner with the pedestrian door just to give it that dimension that I wanted.
Once I got everything dialed in, I just had to wait for the sun to do its thing and shine over the scene giving that dappled light which would add interest to the scene. Once that happened, I fired off several frames to make sure that I captured the best of the light. Those were the last six of the 77 total frames that I had shot since the barn at the beginning of the day. There was a lot of repeat compositions for things like light and breeze, but there were several compositions that never resulted in keepers at all. To have a total of ten keepers from only 77 frames with all those caveats is pretty exciting for me. I was really thinking that at best I would have five or six keepers when I started this process out. The initial nine was a shock and then I was able to add that one additional photo in before I published this entry for the total of ten.
It was a great day behind the camera, and I hope that you have enjoyed the trek as well as the photos. I will probably be kind of quiet for a while during the next week as I get ready for a studio session that will keep me occupied through the next weekend more than likely. Thank you for joining me today and remember I do make prints for my clients when they find a photo they love, so keep me in mind for your wall art. If you don’t want to miss one of these blog entries, be sure and subscribe so you will get an email notification with each entry. If you are a photographer and believe that you might be able to learn from me, I do offer mentorships and will be happy to discuss the options and a teaching plan during a free consultation. Just get in touch and we can get started on a mentorship, making a print, or scheduling a portrait session.
Until next time…
