Sunday, November 21, 2021
If memory serves, this is only the second blog entry I’ve done this month for a trek. That is very unlike me for this time of year and it has gotten me down. I would love to come up a fantastic reason why I haven’t been out getting new images this month, but the reason is fairly mundane. The weather has been terrible for the most part for the better part of the last month. By terrible, I mean fantastic weather for most normal people. The sun has been out, there have been plenty of warm days and no rain to speak of. While this is great for those wanting to get out and do things like hike, and have cookouts with the family, these kinds of days are just lousy for photography. With no clouds, there is very little interest in the sky, and the sun creates really strong highlights and deep shadows on the landscape. A long time ago, I made the decision that these days would be good days to just stay at home and not bother with any photography. For the most part that works out quite nicely as it forces me to take breaks from going out frequently and allows me time to take care of things in the office and at home. However, when these days happen repeatedly for several weeks at a time it gets a little frustrating.
Adding to that frustration with the weather, I’ve been in a creative slump for the past five weeks or so. Those two things have been working together to really make my life as a photographer quite miserable. I’ll be getting into that in much greater detail in my upcoming Behind the Camera which is due out on the first of the month. I’ve had a lot of time to sit and think about things and I’ve been coming to some very long overdue conclusions about how I go about the business of photography. There are some changes on the way, and you might actually see some of those changes starting with how I handle this particular trek. Not to worry, the photography won’t be changing except hopefully continuing to get better which I always strive for. The changes will mostly be on the back end of things.
I didn’t mean to get sidetracked there. I was talking about the second trek that I have taken so far in the month of November. Trying to break my slump, I went out to Iredell County and found a bunch of barns to photograph which actually went very well. I was thinking that I was on the track to get back in the saddle again with that one under my belt. I was in a much better place mentally and emotionally after having a good day out with the camera. I had hoped to go out and follow that up with some more days like it, but the weather changed from cloudy to clear again and I was left having conditions that I don’t like to work in. I did get a lot done at home during that time, but I was left wanting to get out with the camera.
As this weekend came got closer I was looking at the weather and it was looking like partly cloudy skies on Saturday, with a bit more clouds on Sunday. With Toni at work and all of my chores caught up around the house I was in a great position to get out and go have two different days of photography. I turned in early on Friday night with the intentions of getting up at around 5am in order to get a sunrise landscape image up on the Parkway. I had plans to either go to Price Lake, or a small venue near Blowing Rock that I have had good luck with in the past. The weather was looking to be perfect for sunrise with clear skies giving way to high altitude clouds right at sunrise. The colors should be perfect with the high clouds. From there, I would determine if the clouds had enough definition as the sun came up to continue with landscapes, or if I would end up going on a rural road trip in search of more barns and possibly old cars. I was planning on following that up with a day-long trek on Sunday to Big Creek to take advantage of the much thicker clouds expected. It was going to be a full weekend for sure.
Well, when Saturday morning arrived, my clock woke me up at a little after 5 and I looked at the weather. Clear skies everywhere, which was what I expected. As I moved into the hourly forecast, the clouds were looking to come in quite a bit later in the morning which meant that I wasn’t going to have the color in the sky that I was wanting. Not feeling like going out in the low 20 degree morning, I decided I would wait to see what the clouds looked like a little later in the morning before deciding what I was going to do. I rolled back over and tried to go back to sleep, but I was rolling through different locations that I could go to. I was really wanting to get out and get some photographs made which was a good feeling.
As the sun came up I was able to see that the sky was not exactly clear, but it was a complete overcast with very little definition in the clouds. Those clouds were so thin that the sun was still rather harsh, but with the morning light, there was a nice warm quality to it. I decided to go ahead and grab my gear and head out. I didn’t really have a destination in mind as I was going to go where the clouds were at. My first inclination was to head South, back out to Iredell County, but as I was coming through Millers Creek, I could see that the sky was absolutely clear to the South and the East. In fact, the only place where the clouds looked decent was North. I set my course in the direction of the clouds and just hoped that I would find something worth photographing.
To make a long story short, I ended up working my way into Virginia chasing the clouds and drove 110 miles. During that time, I saw great quality of light, but terrible skies which limited what I could photograph. I wasn’t really finding anything that excited me and the more I drove around the more I realized that this was pretty much just a scouting mission. I found a really cool barn tucked back off of the road through a bunch of trees. There was a lot of clutter around it, but I kind of liked how it looked. The trick was going to be getting a clear shot through the tall weeds from the shoulder of the road. The property was all fenced off so there was no way of getting into it. I wasn’t able to find anyone around it that might own it or know who the owners might be. I just plugged the location into my map and continued on with my day. As I was coming down one of the main roads, I saw a glimmer of a tin roof through the trees off on a side road. I turned onto that road and found the structure under that roof. It was an old church, but again it was behind a fence with a locked gate. The church was up on a hill and the weeds were very tall leading up to it and they obscured most of the view. The sky was terrible above the church and the shadows were much too dark to deal with at this time of day. I just snapped a cell phone photo of the church so that I could study it for a possible composition later on. Again, I wasn’t able to figure out who owned the property, so I wasn’t thinking that I was going to be able to get closer than the gate which was a shame. This would make for a fantastic subject if I could get in closer to it.
That was pretty much the highlights of that trek. I was out roughly four hours driving around and instead of the clouds building up like they were supposed to, they were actually getting thinner and the light was getting much too harsh. I was even forced to put on my sunglasses which is a really good sign that it is too bright for photography. I just turned my way home and parked for the rest of the day. I had no pictures to show for my time out and that left me rather disgusted with things. I tried to put it all behind me and watched the Matrix trilogy to escape from reality for a bit. I was still looking at the weather for Sunday with great interest though. The clouds were supposed to be high and mid level which usually means decent density and definition. The clouds were supposed to be building up between 8-10am which meant that there was no sense in doing a sunrise shoot. Instead, I opted to sleep in a little bit and wait until about 7 or so to go out.
My first stop was going to be downtown North Wilkesboro at the newspaper office. I had been interested in the design of the front of the building and thought that I might be able to make a geometric abstract from several of the sections with the sun shining through. Well, that didn’t quite go as planned because I had estimated the position the sun incorrectly. There was no dramatic lighting on the sections of wall and as I was looking critically at it, there was no composition either. Oh well, I hadn’t used up a lot of time thinking about this image, and I had another spot to check on which I was hoping would benefit from the low sun with some clouds in the sky above it. That was a barn in the area of Mulberry which I had photographed before about a year ago. I had an idea for how I wanted to do it differently, but it was going to need some very specific lighting conditions to make it work.
It didn’t take me long to get there, and I arrived a bit earlier than I was anticipating since my previous location didn’t pan out. As I drove past the barn I looked at how the light was acting and found it to be really flat and lifeless. To make matters worse, the trees were more bare than the last time I was here and I could see more of the school in the background which I didn’t like. The final straw was that the sky looking West was not really all that interesting. In short, what I had planned for this scene was just not going to work this morning either. So far I was 0-2 and those were my primary subjects that I was wanting to work on today.
I started to evaluate the sky and tried to estimate what it would be doing in the near future. The clouds were better to the North once again, so that was the direction that I needed to travel. I wasn’t really wanting to revisit my travels from Saturday, but that was the direction that I Found myself headed. As I came up to a familiar intersection, I considered heading out to Traphill where I have always had very good luck. I took that right turn and happened to look over to the left where a very familiar barn sits. I’ve photographed it before about a year ago on a day where I had a lot of luck finding images. It was one of the last scenes that I photographed and I got it then because the lighting looked good on the barn and the sky was really nice. I liked the picture and I felt that it was a very solid attempt at the barn that I had seen many times before, but hadn’t photographed yet. I remember the photograph quite well because it has ended up in the Wilkes County Barn Quilt Tour pamphlet. Ironically, I had shot that photograph almost a year ago to the day. It was on the 22nd of November and I didn’t remember there being any color on the trees at the time. This time, I was looking at color on both sides of the barn and there was still that beautiful bare tree right in front of it.
In addition to the colors which were not there a year ago, the sun was shining on the barn and lighting it up quite nicely under the clouds. Between the color on the trees and the sunlight, I would have been a fool to pass up this opportunity. I pulled off the road and grabbed my camera. I opted for the 24-70mm lens because I knew that would be the best one for the job based on my previous encounter with the barn. I went ahead and screwed on my 82mm Color Combo Polarizer so that I could use the lens hood. I was seriously doubting that I was going to have to use any grad filters for this scene because the lighting was really quite even. I mounted the camera onto my Acratech ballhead and Manfrotto tripod before figuring out where to set up.
My plan was to get a shot from the other side of the barn so that I could place the tree to the left of the barn. The sky was looking better in that direction, and I wanted to get a different composition. I got things set up and figured out on that angle which ended up including another tree behind and to the left. That placed the barn over in the right half of the scene and I was looking at the full sunlit corner. I started to make exposures and realized that the faded barn quilt that had caused me so much grief last time was even worse in the sunlight. I could tell that the quilt was way overexposed in the image review and I had to kick down my exposure by 2/3 of a stop to get the detail in the quilt that I was going to need. You see, having a bright white square on the front of a weathered barn is not ideal under any circumstance. There was just enough of the design of the quilt left that I knew I could bring it back to life in the photograph, but I was going to need all the detail that I could get. That forced the rest of the image into a mild state of underexposure, but I knew that I had plenty of shadow detail to work with in post. This is one of those things that I teach in my workshops most of the time. I strive to get it right in the camera, but I also shoot for how I know I’m going to edit the final image. I made all of the choices in the field here to ensure that I had a well composed image that was exposed as close to correct as I could get it. I knew how I would be editing the different parts of it and knew what the camera was capable of capturing.
I was getting the images that I had in mind from this angle and I was thinking that they were turning out quite well. After getting roughly a dozen or so images with slightly different compositions, I collapsed the tripod and headed back to the truck satisfied that I had what I wanted to get. As I got close to the truck, I looked at the barn one last time and saw that the trees to the right of the barn were much more colorful than the ones that were to the left. The composition was also much simpler from this angle which I kind of liked. Just in case my first composition didn’t turn out as good as I had hoped, I decided to grab just a few more from the side that I had photographed a year ago. I knew that composition would work, and it also took a little more of the glare off of the barn quilt. I just grabbed a couple of this angle because I knew where to set up from the last time and I required very little fine tuning of the composition.
As it turned out, it was this second angle that I liked better. It was a simpler composition overall, and I just loved the red trees behind the barn from this angle. Looking back on the previous image from a year ago I am absolutely amazed at how long the color has stayed on the trees. The sun bathing the barn was the perfect addition to the composition as well. The fact that the sun was still kind of diffused from the thin clouds helped keep the barn quilt from overexposing too much. I still had to stop down 2/3 of a stop from where I would have wanted the image to be, but it all worked out well in the final image. I was able to bring out the details in the quilt and even give the colors a little bit of a boost while bringing up the details in the underexposed barn. The sky actually benefited from the underexposure and it was almost like using an ND Grad at the time of capture. The edit went well, and I was able to make use of some of the new masking features in Lightroom which I am still learning. The more I use them though, the more I am liking them.
I had my first shot in the bag after that barn which was much more important than you might think. After the previous five weeks or so, the psychological impact of actually making an image was huge. I knew that no matter what else happened today, I was going to have something to work on. That really helped motivate me to get more images. It’s kind of like walking in the rain. Once you are soaked, it really doesn’t matter any more so you just keep on going. That was where I was at this point. I had gotten drenched in that first location and I figured that I might as well keep it rolling. For simplicity, I just left the lens and filter attached to the camera and stuck it in my bag. If I was going to be doing barns and old cars today, I had the lens on that I was most likely going to be using. There was no sense in constantly removing the same lens if I could just keep it on instead.
I decided not to go into Traphill because I didn’t have any specific idea of what I wanted to capture there and I figured that I would be doing more revisits of places that I had been before. I wanted to do new compositions today and since I had already captured one scene, I was more likely to experiment with new places. With the clouds still looking good to the North, I decided to head back up 18 into Grayson County Virginia once again. It was going to be a little bit of a long ride, but I was motivated now. I had two different locations out that way that I had stopped to look at the day before and I was feeling confident that I could do something with both of those locations.
The first one that I was going to come to was that church behind the fence up on that hill. The composition was going to be pretty easy since I was going to have to shoot from basically the gate in order to get a clear shot. My composition was going to be determined more by the trees surrounding the gate than anything else. The part that I didn’t like was that there was going to be no foreground to the image because there was nothing but weeds from the gate to the church. I had already decided that I was probably going to have to do a focus stack on this one because of the fine details up close. What I was going to have to have for this to work was an interesting sky. Without that, the image would just be too much like a snapshot. The sky was going to be my very important background while the church and the trees were going to be my midground.
It took a bit of driving to get to this location, but when I did I was a little frustrated to find that the sky wasn’t all that interesting at all. There was a little definition in it, but not what I was hoping for. I contemplated just skipping it, but since I had driven out here, I might as well give it a try. I already had the camera built from the last location so it was going to be very little problem to get out and at least get a practice exposure or two to see if the composition would work at all. I went ahead and turned off the truck. I got the camera back on the tripod and went right up to the gate next to that “no trespassing” sign. Secretly, I was really hoping that the property owner would come by to see what I was doing because I really wanted to ask permission to get closer. That didn’t happen unfortunately, but I did find that I kind of liked the composition from here. I played around with how much of the weeds to include because having too many would throw the image off balance since the sky wasn’t too exciting. I had to include a fair amount of the sky though because of the trees to the right. I didn’t want to clip them at the tops so I made a point to include all of the trees to the right. This pushed the church into the lower left of the frame. I kept working with the composition and making exposures as I went.
What I ended up doing was shooting a single frame at f/16 with the focus roughly 1/3 of the way into the scene. I would then open up to f/11 and focus on the church and then on the foreground weeds in case I needed to do a focus stack to get the image in focus. As I tweaked the composition I ended up looking at a 16:9 aspect ratio that cut off a good bit of the foreground which I liked much better. With so much of the foreground missing, I didn’t need to do a focus stack because it was looking like everything was in apparent focus from near to far. I just made exposures as the birds were moving from tall weed to tall weed hoping to miss the motion blur.
I would have loved to have worked this scene a lot more than I did, but the reality of it was that I was pretty much locked into place here and there was only so much I could do with the compositions from this location. Since the owner hadn’t come to check on me, there was no way I was going to get any closer to the old church. I had what I felt was the best that I could do from this location and I packed it all in. I wasn’t sure that I had anything good from here. What I did have seemed to be rather monochromatic so I was expecting to do this scene as a black and white presentation. When I started to edit the images when I got home I did just that on one of the two that I decided would be worth exploring in Lightroom. No matter what I did to the image I didn’t like it at all in black and white. The textures of the weeds were just too confusing without the colors to help them along. There were a lot of grays and pale blues in the scene, but there was a splash of red with a tree behind the steeple that caught my eye. I ended up going with the other composition that included much less of the weeds and processed that as a color image. While it is far from my favorite photograph, there are some really nice qualities that this one has. I like the overall mood of the image, and I was able to bring out a good bit of detail in the sky to keep it from being empty space. The negative space that it introduced worked well to counter the textures of the weeds. This was the scene that I was most excited about seeing, but knew that the photograph was going to be difficult to create. I’m actually rather impressed with how this turned out after being rather doubtful that it would work at all.
By this point, I was on a roll and had hopefully at least two images in the bag. Since I was close to Virginia at this point, I decided to head on over the line to check out the barn that I had seen the day before. My biggest issue with this barn was rather closely related to what I had just shot. Once again, I was going to have to stay on the outside of a fence and shoot through tall weeds and trees. There was pretty much only one place that I would be able to shoot from based on my scouting the day before. That was still going to be difficult because of the very tall weeds that were growing from the steep embankment. There was also a lot of clutter around the barn which would make compositions difficult to formulate. I was feeling pretty confident though and felt that today was a good day to work this barn. The sky was getting duller by the minute so I knew that this was a good time to work this barn because there was going to be no sky in the frame at all.
When I got to the barn, it was just as I had left it the day before. I drove slowly past it to make sure that I still had a decent idea for a composition and I got turned around in the house nearby that I was hoping to see signs of somebody home. I knew that the key to an awesome composition was going to be getting inside the fence, but I needed permission for that to happen. No such luck at the house as it looked as empty as the day before. I went ahead and got the truck pulled off of the road close by the intersection where the barn was. I grabbed the camera which was still built as it was from my first location and mounted it to the tripod.
I went over to the area where I knew that the composition was going to be. Sure enough, the weeds were too tall to shoot over, so I did what I had to do. I climbed over the guardrail onto the steep embankment and carefully got close enough to the invading weeds to break them down. These were still on the easement of the roadway on the outside of the fence so I felt no guilt in removing the weeds. Now that they were gone, I had a clear view of the barn, but only a small window before tree branches came into the frame. I wasn’t able to do anything with those, so I had to work around them as I could. My biggest hurdle for the composition at this point was what to do about the fallen tree debris down at the edge of the property. I knew that I was going to have to include the old pipe that was in front of the barn, and I wanted to include the tractor and the trough next to the barn. It was those large tree trunks and limbs that baffled me. I tried some with and some without the wooden debris and felt that the ones that cropped the wood out made for a simpler composition. The problem was to do that, even at 16:9 forced me to crop in very close to the trio of trees to the left of the pipe. Since I had to include that pipe, I had to include those trees which wasn’t a bad thing at all. I was happy to have them as a boundary for the left side of the image. The close crop would also cut the one tree to the left and I didn’t like how close it ended up to the edge of the frame. Even though it was a simpler image, I ended up going with the larger composition that included the fallen tree. I felt that the added foreground gave a nicer balance to the scene and more importantly everything had proper breathing room with the wider composition.
Despite my difficulties in figuring out the composition, I had very high hopes for this image and thought that it was going to be my strongest of the day thus far. I was pretty sure that I had at least three images at this point and I was quite satisfied at that. I didn’t break the camera down just yet though as I still wanted to try and find something else to photograph since I seemed to be on a roll. I was in a great area and I had seen a lot of potential not only yesterday, but today as well. I was hoping to find something else that excited me and would feed into my creative mood. I started to go down some back roads that I hadn’t been down yet and was fully into exploring the area right between Grayson and Allegheny Counties. I was finding a lot of great potential, but nothing was really jumping out at me as a photograph. I wasn’t worried though because so far everything had been a success.
As I made it back to the main road, I started back South figuring that I had better get on home and get started with the edits to see what I had. My plan was to watch for targets of opportunity on the way home though. One of those scenes presented itself at this point. Well, to be more accurate, this was the fourth time in two days that I had passed by this location It was a body shop just inside of NC that specialized in restorations. They had a Ford F-1 pickup parked out in front of the shop in the capacity of yard art as best I could tell. The truck was awesome with the exception that it was missing its glass, and that it was parked very close to the building. In fact, there was no way to get a shot from the front from either side without including the building. This was why I hadn’t bothered stopping here before. I just didn’t see a workable composition that excited me.
On this fourth time passing by, my creative self was coming out of the shell and I felt that there was something that I could do with this truck. I knew that I loved the grill on it, and since there were two headlights still attached, I had something to work with. I got turned around and pulled into the parking lot. I grabbed the camera which was still built as it had been all day. I mounted it to the tripod and then spread the legs out so I could get down low. I moved over the front of the truck and started to work out compositions around both headlights as well as the three prominent sections of the grill. The light was good on the old truck and I was having a good time getting the isolations shot of the front end. There were three distinct compositions that I was working on and I knew that out of those, at least one of them would work.
One of them did work out quite well and that was the headlight on the passenger side of the truck. I actually liked the driver side better, but I messed up the composition by cropping it too close to the marker light. I wasn’t able to see the housing as I was framing up the image since the lens was missing. It was just a bare bulb which I captured, but I missed the actual lower part of the housing. That simple oversight caused that composition to get tossed out and I ended up working on the other side. The orange in the lens actually worked out great to balance out the colors between the two main elements of the composition so I was happy with how this side worked out just about as good as how I had hoped the other one would have worked out.
Despite being relatively happy with how my isolation shots had turned out with the grill, I was still really wanting to capture the entire truck. I backed away and went with a wider angle on my lens to try and figure out a composition around the building that the truck was parked in front of. There was a window that was positioned just right to be a complementing element above the bed of the truck. I was able to work out a good angle with the building, but in order to do that, I was going to have to include a trailer in the parking lot, or a house, or a long row of hay bales in white plastic which was too distracting. If I went to the other side, the building was just too bland to work with the old truck. It was too close to the building for me to get a rear quarter shot, and there wasn’t all that great of a background in front of the truck as there was a power pole just off the driver’s side.
I was about to give up on the overall of the truck, but then I realized what the sky was looking like over the truck as I was looking from the driver’s side. The sky was just interesting enough to really push me to figure out how to capture something from this angle. Typically, I don’t like to get profile images of vehicles because they tend to lack depth and dimension. It was looking like this was the only way I was going to be able to shoot this truck though. I worked on where to place the camera in order to get the most flattering angle on the side of this truck. What I found was angled slightly from the rear of the truck, forward. It gave just a hint of an angle on the truck which helped the depth of the scene. The trees in the background were nice and followed the general proportions of the truck. The sky was great and the lighting was soft thanks to the diffusing clouds.
Even though the light was soft, there was still the concern that the side of the truck that I was photographing was in the shade. The sky was still kind of bright, but not enough to justify adding any filters. Not wanting to get an odd exposure on the trees in the midground by using a grad filter, I decided to go with just the polarizer. I was going to have to lift a lot of the shadows which were falling on my main subject and that wasn’t a good option. I knew that I was going to be able to do it, but with the potential of adding noise that didn’t need to be there. Instead, I opted to create an HDR series here so that I could get plenty of detail from the shadows, all the way up to the bright highlights.
The series ended up being four images spaced exactly one stop apart from each other. There was no wind so I didn’t have to worry about any movement in the grass or trees which is always an important consideration when blending multiple exposures. I wasn’t sure if I was going to like this image or not, but it was worth taking a stab at it. That was all that I did though. I shot that one series and called it a day. I was tired and ready to head home. I had reached that stage in the trek where the switch had flipped. I was through creating for the day….I was satisfied for the first time in a very long time. I had 55 images saved on the memory card which was actually quite low for the number of scenes that I had shot. I wasn’t going to question it though because I was feeling pretty good about at least four of the photos I had captured.
When I got the images home, I did a quick blending of the one HDR scene that I had finished up with and applied the auto settings to see what it was going to look like. It was not as good as I was hoping it would be and the composition was lacking because of it having been done from essentially broadside. However, I decided to go ahead and blend the images and see what I could do with it during the edit process. It was the last image that I worked on because I really didn’t have any faith in it. However, the more I worked it, the more details I was able to bring out and the happier I became with it. The composition might be lacking, but the subject matter and the lighting were both very good here and that was enough to get me to finish the edit and make it one of the five keepers from the day.
Thank you for joining me on this trek. It was a lot of fun and I hope that you enjoyed tagging along as I drove around and photographed scenes that excited me. If you haven’t already, please hit the “subscribe” button down at the bottom of the home page so that you will get notifications of new posts here. One of those changes that is coming is a change in how I do social media. If you have been relying on Facebook or Instagram to see my photographs, you will be missing out now. This blog will be the only place where all of my images can be seen now. I’ll explain in more detail next week in my Behind the Camera, so stay tuned.
In the meantime, I encourage you to consider purchasing a print or two as gifts for the holidays. Art makes a wonderful present because it can be quite personal. There is still time to get your print ordered and shipped out before Christmas. In most cases, you will have your in stock sized print within 10 working days from the time you order it. Special orders will take a bit longer depending on media, but there is still enough time that you could even order a canvas print to be delivered well before the holidays. It is through these print sales that I am able to fund my treks and therefore new images in the gallery. You are not just bringing in a unique piece of art into your home (or that of another), you are supporting the artist financially so that the art can continue. I stopped creating images for me a long time ago when I filled up my own walls. My goal these days is to create that perfect piece of wall art for your walls. I would be honored to assist you with that.
Also, for those of you who are photographers, be sure and check out my newest workshop which will be held in the Spring of 2022. It is a half day workshop to be held at Doughton Park. The topic of this workshop is going to be building a composition in the landscape. It will be a very informative workshop for those who might need a little help in creating their own compositions. I chose Doughton Park because there are just so many compositions to be had within a very small area. It is so far the first workshop that I have scheduled in 2022. Get signed up now, and I hope to see you then!
I would also encourage you to utilize the links at the bottom of this entry for Sing-Ray, B&H Photo, and Amazon for any shopping that you are doing there. These affiliate links don’t cost you a penny, but they do give me a small commission, even if you don’t buy the product linked. You just have to enter the site through these links. For shopping at Singh-Ray, you will actually save 10% by using my discount code of KISER10. I mean who couldn’t use 10% off? These little things help keep me in business and don’t cost you anything at all so it is a win-win for both of us! Thanks for helping out.
Until next time…
Remember to use the code KISER10 to get 10% off your purchase
